“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility as well as the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental weather.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with Worlds: Next Century, a reimagining associated with H.G. Wells novel as well as an indictment of mass media’s influence on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will highlight Szulkin’s film ukrainian dating sites that is short, like the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and generally are $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center people. Save because of the purchase of three tickets or even more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests happen in the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, and also the concept of the family that is nuclear.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In a future where life on the planet happens to be so wonderful that only prisoners are employed for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to an uncharted earth. Upon his arrival, he discovers a world curiously such as a dilapidated, postapocalyptic world, where he could be welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that is included with a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of their child child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, boffins try to produce a brand new, flexible competition of humans. a apparently ordinary item regarding the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, is called a precursor to Blade Runner , but its name additionally appears returning to an even more ancient misconception of creation and morality.
Preceded by: brand brand brand New restoration that is digital Gal together with Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter using the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere centered on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute their own absurdist, tragicomic reign of terror. Updating Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. These are typically spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned Soft (Jerzy Stuhr) while he tries to push away total collapse. Employed in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable about the false claims of politics and religion that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm